Time & Feel
Let F arrive early
Change only the right-hand F chord on the and of 4 while the left hand keeps C steady.
Today's Thing
Play a C to F vamp with the right hand early and the left hand still marking time.
15-Minute Map
- 1Play the square change
- 2Move only the right hand
- 3Keep F light
- 4Loop the C to F vamp
- 5Carry it through four chords
- 13 min
Play the square change
Play C major in the right hand on beat 1, then F major on beat 1 of the next bar. Keep the left hand on low C for beats 1 and 3, and count 1-and-2-and-3-and-4-and aloud.
Repeat the two-bar change eight times without fills. The test is simple: the left-hand C roots stay even, and your voice does not blur when the right hand prepares for F.
- 23 min
Move only the right hand
Keep the same C bar, but play the right-hand F chord on the and of 4 before the F bar begins. The left hand still plays C on beats 1 and 3, so the bass does not lean forward.
Count the whole bar and say “F” exactly where the chord lands: 1-and-2-and-3-and-4-and. Let the next beat 1 arrive normally; do not treat the early F as a new barline.
- 33 min
Keep F light
Play the early F softer than the C chord on beat 1. Let it feel like a pickup into the next bar, not a new downbeat competing with the left hand.
Alternate four bars with a heavy early F and four bars with a light early F. Keep the version where the count feels wider, the left hand stays settled, and beat 1 does not get punched again.
- 43 min
Loop the C to F vamp
Play four bars of the vamp with one rule: right hand C on beat 1, right hand F on the and of 4, left hand C roots on beats 1 and 3.
Use one slow tempo, about a relaxed walking pace. If the left hand starts moving early with the right hand, stop and rebuild the bar from the spoken count.
- 53 min
Carry it through four chords
Play one bar each of C, Am, F, and G. Change every right-hand chord on the and of 4 before its bar, while the left hand plays C, A, F, and G roots on beats 1 and 3.
Before each early chord, say its name on the and of 4, then play it there. If one change rushes, isolate that two-bar spot and loop it four times.
Stop Here
The right hand can arrive early, but the left hand has to prove the tempo stayed put.
After playing